“There is nothing remotely objective about photography. Where I stand, how I got to that spot, where I direct my lens, what I frame, how I expose the image, what personal and cultural factors influence these decisions — all are intensely subjective.”
Interesting thoughts about photojournalism in contemporary society.
Editor’s Note: This article caught my attention because of Nina’s unique perspective and the disturbing subject matter combined with her observations about the ways photojournalists are adapting to the disruption in the media landscape today. While I admire what agencies like NOOR (the non-profit collective that she is a member of) are doing in terms of partnering with NGOs, I’m doubtful that it’s a sustainable model. I applaud Nina and her colleagues for being so proactive and at the same time doing such strong work. This article originally appeared in Columbia Magazine.
by Nina Berman ’85JRN
A J-school professor discusses the evolving state of photojournalism — and shares evidence from her latest project.
Rogues’ Gallery / In a new work, Nina Berman photographs trial evidence from cases of slavery and human trafficking, in hopes of indirectly revealing the mindset of the perpetrator. A billy club used by…
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